food trail

9 lovely breakfasts to have in Bengaluru

Travel and Places

They make good mornings better.

This story first appeared in Conde Nast Traveller on August 3, 2016.

(https://www.cntraveller.in/story/9-great-breakfasts-to-have-in-bengaluru/#s-custmuffets-and-tuffets-koramangala)

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BREAKFAST

Photo source: Getty Images

 

Bengaluru takes its first meal of the day very seriously. For a city traditionally known for its darshinis—small, stand-up eateries—the foodscape has changed radically over the past few years to accommodate the ever-changing mix of the populace. But in a place where breakfast is easy to find, where do you find a great breakfast? That’s where this list comes in:

Muffets and Tuffets, Koramangala

This charming little restaurant is set in a small bungalow. You can sit in the air-conditioned section inside or take a table on the small patch of grass outside.

The menu has continental and British fare and includes a mean breakfast platter. With a large waffle with maple syrup, sausages, perfectly-fried hash browns, a grilled tomato, slices of brown bread, eggs made your way and a bowl of baked beans, this is a meal you’d work through slowly.
Recommended: The breakfast platters. 

 

M&T breakfast

 

Raghavendra Stores, Malleswaram railway station

This traditional, unpretentious joint serves cheap and authentic south Indian Brahmin food. They make very few dishes, but make them exceedingly well. Idli, vada, shavige bhath, khara bhath, bisibele bhath, kesari bhath—that’s the long and short of their menu. And yet, you have people coming from across town to dig into this food. The idlis are soft and well-rounded. The crunchy vadasare pepped up by bits of green chilly, coconut and pepper stuffed into them. And finally, this is one of the few places in town that serve shevige bhat, a spicy dish made of rice vermicelli with seasoning.
Recommended: Idli vada and shevige bhath

Raghavendra Stores  idli-vada 1

 

Airlines Hotel, Off Lavelle Road

How would you like to breakfast with birds, in the shade of a large, decades-old tree? Bangaloreans have been doing just that for half a century at the Airlines Hotel. A venerated institution on the city’s foodscape, Airlines is a throwback to a more leisurely era. Most things about the place have remained unchanged over the years, including the delicious fare. You can linger over your food before chasing it down with superb filter coffee, served in thick-bottomed glasses that have all but vanished from other restaurants here.
Recommended: Akki roti, rava idli, filter coffee

Airlines Hotel masala dosa 1

 

 

South Indies, Indira Nagar

If you want to breakfast like a king, head over to South Indies. Here, you get delicacies from all south Indian regions under one roof, in a fine-dining ambience. The lavish breakfast buffet is an excellent repast, complete with dessert.

 

Suryawanshi, Indira Nagar

Maharashtrian food is a rarity in Bengaluru, despite the sizeable Marathi population. For those who love this kind of food, Suryawanshi comes as a boon. Its menu packs in the best of the state, albeit with a Kolhapuri bias. In a city awash with chutney and sambar, Suryawanshi helps you start your day with missal pav, kanda poha, keema pav, sabudana vada, shrikhand, aamras and sol kadi.
Recommended: Sabudana vada, misal pav 

suryawanshi missal pav 3

 

Kota Kachori, Koramangala

If your idea of a super breakfast is samosa, kachori and chole bhature, Kota Kachori is where you want to go. This joint makes wonderful Indori poha, aloo-pyaz kachoris, chole bhature and parathas. The décor is sparse putting the focus purely on the food.
Recommended: Aloo-pyaaz kachori, poha

kota kachori - chholey bhature 3

Ants, Indira Nagar

Take a roomy bungalow in a tree-lined street, deck it with taste, add a superb continental menu and voila! You have a restaurant with a long queue of patrons straining to enter and reluctant to exit. And did we tell you that this cafe has a store attached, one that sells authentic, hand-crafted stuff from northeast India?

Recommended: Cutlets, eggs with toast, sandwiches 

Ants

 

My Way Little Dinette, Ulsoor

The community that gave us dhansak, sali boti and berry pulav offers some interesting dishes for the first meal of the day too. Parsis love their eggs, mutton and pav, and can have these in any combination. Dishes like eggs on sali, eggs on kheema, akuri on toast and pattice are sure to set your pulse racing. Very flavoursome and aromatic, they are a feast for the eyes too, thanks to the tomatoes, coriander and other greens. Choose a seat by the window side at this bright, cheery restaurant and go to work on your food.
Recommended: Eggs on vegetables or meat 

My Way

 

Kaayal, Jeevan Bima Nagar

If you wake up one day and find your tummy growling in Malayalam, head over to Kaayal. Every morning on weekends, this restaurant dishes up a Kerala breakfast. Binge on puttu, appam, idli, dosa and uppuma. For accompaniments, choose from kadala curry, stew, chammandi (the Kerala version of chutney) and sambar.
Standout dish: Appam and puttu, served with kadala curry or stew

Kaayal parotta egg curry 2

 

 

 

 

 

 

 

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An insider’s guide to the Margazhi festival in Chennai

Travel and Places

How you can experience the unique annual festival of Carnatic music and classical dance.

This story first appeared in Conde Nast Traveller on December 16, 2016.

(https://www.cntraveller.in/story/insiders-guide-margazhi-festival-chennai/#s-custvenn-pongal)

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Bombay Jayshri

Bombay Jayshri (aka Bombay Jayshri Ramnath) (center) sings with her ensemble during a Carnatic music concert. 

 

The joke goes that Chennai (earlier known as Madras) has three seasons in the year: hot, hotter and hottest. It never fails to elicit a chuckle. But truth be told, there is a sliver of time – from November to January – during which the city cools down to ‘pleasant’. The temperature hovers in the high twenties and there is a mildness in the air that brings out smiles all round.

Perhaps in an attempt to make the most of this brief respite from torrid heat, the city hosts a unique celebration of Carnatic music and classical dance. Through December and a good part of January every year, the city’s performance venues (known as ‘sabhas’ in Tamil) come alive to the ragas and rhythms of music as vocalists, instrumentalists and dancers invoke Gods, Goddesses and Saints through myriad compositions. And thousands of people turn out in their ethnic best to partake of the superb fare being dished out.

Photo: Dennis Cox / Alamy Stock Photo

Over the years, the festival has grown in scale and influence, and has come to be known as the ‘December season.’

 

Nine decades and counting

The genesis of this festival of the arts was decidedly peculiar. It was launched in 1927 as an adjunct to the conference of the Indian National Congress held in Madras (as Chennai was called back then). The inaugural edition in 1929, though small in scale, featured the leading musicians of the time. Subsequently, the festival severed all political ties and emerged as a stand-alone fixture on Chennai’s cultural calendar. Over the years, it has grown in scale and influence, and has come to be known as the ‘December season’ by the locals. The earliest sabhas sprung up in the areas of George Town, Triplicane and Mylapore. Today, it is estimated that more than a thousand concerts and dance performances take place during this fest, across a couple of hundred venues. To many, the Madras music and dance festival is like a pilgrimage—it’s no coincidence that it is held in the Tamil month of Margazhi, which has been traditionally dedicated to spirituality and contemplation.

Who is it for?

For seasoned as well as emerging artists, the December season is the high point of the year. Attracting diverse audiences from all age groups—scholars, students of the arts and other passionate folks, the Madras music festival is not one to be missed.

Where should I go?

Though sabhas are spread out all over the city, here is the pick of the lot. These venues are rich in atmosphere and attract the best artists. And, they serve the best food too.

The Music Academy, website, 44 28112231/28115162. Mylapore Fine Arts Club, 44 24997755. Indian Fine Arts Society, website, 44 28154360. Krishna Gana Sabha, website, 44 28140806. Parthasarathy Swami Sabha, 44 24997269/24991248. Narada Gana Sabha. Phone: +91 44 24993201/24990850. Kalakshetra Foundation, website, 44 24520836.

What should I attend?

The fest witnesses hundreds of artists in action, so if you’re stumped, see our list of recommendations. While the dates and venues of their concerts are mentioned in parenthesis, please call the respective sabhas for the timings of the performances. Detailed concert schedules of various sabhas and other information about the December season are available here.

Photo: Chinju@digipix / Alamy Stock Photo
For seasoned as well as emerging artists, the December season is the high point of the year. Photo: Chinju@digipix / Alamy Stock Photo

Music

Bombay Jayashri: An extremely talented musician, Jayashri’s mellifluous voice and meditative approach to music transport the listener. (Mylapore Fine Arts Club on Dec 24)

Sanjay Subrahmanyam: his booming and throaty voice ensures that his concerts are vibrant affairs. The audience also likes the fact that he interacts with them during his concerts. (Indian Fine Arts Society on Dec 20 and Krishna Gana Sabha on Dec 25)

Vijay Siva: he is well-respected for his adherence to classicism and a deep sense of bhakti (devotion) and bhava (emotion). (Sri Parthasarathy Swami Sabha on Dec 16)

T.N. Krishnan: one of the finest violinists in the Carnatic tradition, this octogenarian is known for his superb bowing technique and tonality of music. During his concerts, he often treats the audience to golden memories from the past, when he used to play the violin for legends like Chembai Vaidyanatha Bhagavathar and Semmangudi Srinivasa Iyer on stage. (Music Academy on Dec 25)

Seshampatti Sivalingam: the Nadaswaram is an instrument of the temple, representing all things auspicious. Sivalingam has been playing this instrument for decades and is a virtuoso performer. (Music Academy on Dec 16).

Vishaka Hari: she is an exponent of the Harikatha, a traditional form of discourse that explores spiritual themes using a combination of storytelling and Carnatic music. (Krishna Gana Sabha on Dec 17 and 18; Parthasarathy Swami Sabha on Dec 25)

Ravikiran: a child prodigy, Ravikiran is synonymous with the Chitravina, the fretless, lute-like instrument that he plays. (Music Academy on Dec 18)

Shashank: another child prodigy, Shashank is known for his mastery of the flute. He is famous for his ability to make improvisations, while staying within the traditional framework of Carnatic music. (Narada Gana Sabha on Dec 28 and Mylapore Fine Arts Club on Dec 30)

 

Dance

Shanta and V.P. Dhananjayan: by far the senior-most of Bharatanatyam dancers, their nimbleness on stage belies their age. One of the few couples that perform together, they adhere to the tenets of chaste classicism. (Krishna Gana Sabha on Dec 27)

Malavika Sarukkai: Malavika has been dancing since the age of seven. Even today, she brings a sense of wonder and discovery to her performances. Her dance is a wonderful blend of feminine grace and linear geometry in technique. (Music Academy on Jan 6)

What should I eat?

No really, that’s a very important question. Because, the food served at sabha canteens during the season is as famous as the performances themselves. The season sees some of the best caterers in town ladle out delectable vegetarian food from the Tamil-Brahmin cuisine. Ask for these specialties at the sabhas mentioned below:

Venn pongal

A fluffy rice-and-dal dish, served with a generous dollop of ghee on top. Best had with chutney and kotsu (a gravy dish that has a mish-mash of several vegetables).

Podi dosa & Vendhaya dosai

While the former (pictured) is dosa with a rich sprinkling of podi (chilli-dal powder) on it, the latter has fenugreek seeds mixed to the dosa batter, giving it a distinctive taste.

Kuzhi paniyaram

Salty balls made of dosa batter, but tempered with shallots, green chillies and mustard. Crisp on the outside and soft on the inside, this is a Chettinadu specialty that is served with coconut chutney.

Adai

A spicy pancake made from a mixture of lentils and rice, adaiis a favourite in Tamil Brahmin households. It is usually served with avial, which is a thick mixture of vegetables in a curd-based gravy. It is seasoned with coconut oil and curry leaves.

Sappadu

A traditional Tamil meal, usually served on a plantain leaf. It consists of nearly 15 items, including vegetables, dal, sambar, rasam, morukoottan, rice, papad, pickle and a dessert.

Vazhai poo vadai & Keerai vadai

These are spicy, deep-fried patties. While the former (pictured) is made from a batter of plantain flower along with lentils, the latter is made from lentils and spinach.

Ashoka halwa & Badam halwa

Variants of the popular Indian sweet halwa, the former is made from moong dal and the latter (pictured), from badam (almonds).

Filter coffee

This traditional South Indian concoction is an excellent pep-me-up. It can be had just by itself or after a snack.

And, if you have the time…

  • At the digital archives of The Music Academy, you can listen to audio recordings of concerts of past masters like Maharajapuram Viswanatha Iyer, Chembai Vaidyanatha Bhagavathar, M.S. Subbalakshmi and others.
  • Lecture-demonstrations are held at The Music Academy and a few other sabhas every morning during the season. These academic sessions explore various aspects of music and dance, and are led by renowned artists.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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History through art: Chennai to Kochi

Travel and Places

A town that becomes a canvas for artists.

This story first appeared in Mint on January 19, 2017 under the section ‘Weekend Vacations’.

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Aspinwall House. Photo courtesy Ganesh Vancheeswaran

Aspinwall House

 

Fort Kochi is not a place you visit just once in a lifetime. This former Portuguese and Dutch colony offers experiences at multiple levels, inviting you to find meaning and solace time and again. And for those who love a dose of history and culture by the seaside, this is a great bet. Which is perhaps why, when I wondered about an ideal solo travel destination for the weekend, Fort Kochi automatically came to mind. Especially since the art festival, Kochi-Muziris Biennale, was back in town.

An overnight train journey from Chennai took me to Ernakulam. There, I hopped on to the ferry across the backwater channel that lies on the fringes of the city. Ernakulam (also known as Kochi) is the main city and commercial hub. Lying close to the mainland, but joined by bridges, are the small islands of Willingdon (mostly government offices), Fort Kochi and Mattancherry (the travel hub), Bolgatty and Vypeen. The boat took me past leafy Willingdon Island, busy Thoppumpady and medieval Mattancherry, before dropping me off at Fort Kochi. The shimmering waters, the local people and the fishing boats bobbing up and down the gentle waves kept me company. What an atmospheric journey for just Rs. 4!

Graphic by Ahmed Raza Khan/Mint

Graphic by Ahmed Raza Khan/Mint

Dumping my bag in my room, I had a quick shower and headed out. Hunger pangs led me straight to Kayees (also known as the Rahmathulla restaurant). Several decades old, this simple eatery has been a favourite for a Kerala breakfast. After a few appams (rice pancakes), idiyappams (rice noodles), kadala (chickpea) curry and a cup of strong tea later, I found myself at Aspinwall House on Calvathy Road. This is the main venue of the ongoing Kochi-Muziris Biennale, an art festival that is held once in two years (Kochimuzirisbiennale.org). Into its third edition this year, the biennale, which began on 12 December, is on till 29 March.

The decision to revisit this festival was an inspired one. Unlike most art shows, the biennale does not take place in an air-conditioned hotel or a posh gallery. Instead, it takes place all over the township—in old spice and timber yards, local art galleries, and mansions that are two-three centuries old.

Wall art in Fort Kochi. Photo courtesy Ganesh Vancheeswaran.

Wall art in Fort Kochi. 

All day, I moved from venue to venue, studying the stunning paintings, etchings and installations on display. In this, my fourth visit to Fort Kochi, I felt like I was seeing the town for the first time. I took in Brij Mohan Anand’s dissentive art at the Greenix Village cultural arts centre and the brilliant paintings on the history of immigrant Jews at the Kashi Art Gallery. Elsewhere, I found exquisite cloth tapestries created by cutting old clothes and re-stitching them. I was told by another visitor that several local tailors had been involved in this project. The day ended with stimulating INK Salon talks at Cabral Yard.

The next morning, I strolled through Jew Town in the satellite area of Mattancherry. With its cobblestone streets, timber-framed houses and a 16th century synagogue, it evoked a different, historical era. Shops selling authentic antiquities vied for space with those selling spices, essential oils, tea and handmade soaps. At a store called Crafters, I found what must surely have been one of the largest vaarpus (a traditional Kerala brass vessel used to cook at feasts) in the world.

By afternoon, my feet gave up and I headed to the Seagull restaurant. I sat on the deck abutting the estuary and sipped my drink. Waves lapped at the deck, seagulls glided silently and a balmy breeze caressed my face. A mammoth ship hooted as it passed close to the shore.

I sighed in contentment.

 

 

 

 

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Colonial Lucknow

Travel and Places

Memories of the Sepoy Mutiny, Chikankari, and something for the palate. 

This story first appeared in Mint on April 13, 2017 under the section ‘Weekend Vacations’.

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Chota Imambara in Lucknow. Photo: iStockphoto

The chota imambara.

Nostalgia is a formidable force when combined with a love for travel. Lucknow had been on my mind for a long time. I had first travelled to the city more than a decade ago and still remember how awe-struck I was.

Lucknow holds a special place in the hearts of food lovers (think kebabs and biryani but also vegetarian delicacies) and architecture enthusiasts. On my second trip to the Uttar Pradesh capital, I wanted to go off the beaten track and explore the lesser-known aspects of this much feted city.

I took the Lucknow Mail from the New Delhi railway station on a Friday night, reaching the Charbagh railway station early next morning. During the short cycle-rickshaw ride to the atmospheric Heritage Hotel, I watched the city stir into action.

After a leisurely shower and breakfast, I took an autorickshaw to Khadra, a hub for Chikan embroidery. I sought out Sameena Bano, an artisan who works with Tanzeb, a Chikankari label. Over the next few hours, she told me all about the little-known details of this craft—all the while keeping her head down, stitching intricate patterns on colourful fabric. This method of hand embroidery, which has existed since the time of the Mughals, features subtle floral motifs that are best suited for garments of pastel shades.

Lucknow is the global hub for authentic Chikan. At Khadra, women embroider shawls and saris at home while juggling domestic duties. Given the level of detailing involved, it can often take a month to embroider a single sari. But though it may not be obvious, Chikan is battling changing market tastes and a lack of skilled artisans. So much so that from its traditional repertoire of 36 unique stitches, only eight are known today.

Bidding goodbye to Sameena Bano, I headed to some of the signature structures of Lucknow. The Bara and Chota Imambara, Shahi Bouli, Asafi Masjid and Rumi Darwaza, all built by the nawabs, are still veritable icons that made me veer slightly from the “off-beat” nature of my trip. I wanted to quickly swing by these spots and reserve the next day for a tryst with colonial history, one that is often overlooked by travellers.

Next morning, then, it was time to visit the Residency, a complex of buildings that includes the palatial 18th century residence of the erstwhile British resident (an official who oversaw the affairs of the province of Awadh on behalf of the Raj).

The ruins of an 18th century residence of the erstwhile British resident. Photo: Ganesh Vancheeswaran

The ruins of an 18th century residence of the erstwhile British resident.

Paying an entry fee of Rs5, I found myself in a sprawling green lawn. Cutting through the middle was a paved path that led to the imposing Bailey Guard Gate, which gets its name from John Bailey, one of the British residents of Awadh. Emerging on the other side of this gate, I spotted the ruins of several buildings spread out haphazardly. For a moment, they reminded me of giant Lego blocks made of brick and stone. I could see deep scars on the walls and gaping holes where there should have been roofs. Doors and windows were missing.

Lucknow played an important role in India’s First War of Independence (also known as the Sepoy Mutiny) in 1857. A large number of Indian soldiers rebelled against the British, leading to a series of bruising battles. Some of the action took place at the Residency too, with the buildings being shelled heavily. The broken buildings I was looking at were stark reminders of those times.

I meandered from one broken building to another: a memorial dedicated to British martyrs, the kitchen, the house of the resident surgeon, and a banqueting hall. My last stop was a museum that houses photographs, documents and other memorabilia of British rule.

It was 2pm, the time had flown. And all that history-hunting had left me ravenous. Some of the famed Lucknowi tahiri (the local, vegetarian counter to the biryani) followed by kulfiwould do the trick.

 

 

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The Old Delhi food trail – Part 1

Travel and Places

Hidden in the labyrinthine lanes of Old Delhi are some of the best food spots of the city. They are high on history, taste and atmosphere.

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The mere mention of Old Delhi conjures up vivid images of a crowded bazaar (traditional market), old buildings from the Mughal era and wonderful, aromatic food. Take away even one of these elements and the Old Delhi picture will not be complete.

For me, Delhi is home because one half of my family lives there. So, while I live in Bangalore, I definitely end up making a ‘family pilgrimage’ to Delhi at least once a year. During my trip in October 2016, I took time off to explore the streets of Old Delhi. I was especially interested in the decades-old eateries that have been Old Delhi’s pride. In fact, many of them were set up in the early 1900s, making them nearly a century old. Some others are about a hundred and fifty years old and counting. With so many years behind them, you are talking serious history. Each of these joints has secret family recipes that have been handed down from generation to generation. Every one of them also has one or two signature dishes that they claim will beat competitors hollow. Facts like these add to the allure of these eateries. No wonder then, that they accumulated a large number of loyalists much before social media popularized the concepts of fan base and followers.

Make no mistake, given the character of Old Delhi, these eateries are all dives. Nothing fancy when it comes to ambience here. People throng them only for the taste of their food, their history and the ‘atmosphere’. Without much further ado therefore, let’s attend to business, shall we?

Nathu Ram Kachoriwaala

We got off the metro at Chandi Chowk and exited the station through a narrow gully (lane) that leads deeper into the Chandi Chowk market. A couple of minutes later, we spot a Hanuman temple and right opposite that, under the shade of a large tree, is Nathu Ram’s food stall. The ‘stall’ is actually a large tarpaulin sheet that has been spread under the branches of the tree. Cooks are at work under the canopy, one frying jalebis, another frying kachoris. A couple of attendants are helping the cooks out. A few rickety wooden tables stand desultorily, with customers gorging from small, stitched-leaf bowls known as donney in Hindi.

 

Nathu Ram has been feeding hungry souls for more than seven decades. Nobody (including the guy at the counter) seems to know exactly when it was set up. Frankly, nobody bothers. What they do bother about though, is the food that is being doled out.

While the menu nailed to a wooden pillar announces a dozen dishes, most customers ask for one thing first: bedmi puris. We do the same. A couple of minutes later, we are handed out donnays with piping hot, crisp puris, accompanied by aloo subzi (potato curry).  Bedmi puris are palm-sized fluffy breads made from whole wheat flour (atta). The dough has been infused with spicy lentils and asafoetida (known in Hindi as ‘heeng’). The aloo subzi has small pieces of potato in a spicy, watery gravy. I have had this subzi at various places in North India, but the variant found in Old Delhi has a unique taste and flavor.

 

 

Given the size of the puris, we nail several before drawing a deep breath and taking a break. We are sweating profusely, partly because of the heat, but also because of the spice in the food. Talk of being in sweaty heaven(exclamation).

A pair of puris with unlimited refills of aloo subzi comes for Rs. 24/-. If that isn’t cheap, what is?

 

Kanhaiyalal Durga Prasad Dixit

Next, we wend our way to Gali Parathewali (Hindi for ‘paratha lane’; making it amply clear as to what life here is all about), which lies a short distance away. On the way, we pass Shishganj Sahib, a famous gurudwara.

The history of Gali Parathewali goes back nearly two centuries to the mid-nineteenth century. Though the character and complexion of this street has changed considerably over the decades, a handful of the old eateries remain. They are each run by the sixth or seventh generation of Brahmin families from Uttar Pradesh (especially, the Allahabad belt), a fact they take great pride in. It is to one of these that we head this morning.

‘Kanhaiyalal Durga Prasad Dixit’ announced a large board at the entrance to the humble eatery. The fact that it was set up in 1875 is mentioned prominently. The insides of the eatery have been jazzed up a little with lights that are too bright. The cook is at work near the entrance, making – what else – parathas.  You can play safe by asking for the regular aloo, gobhi, methi and mooli parathas. Or, you could get adventurous by ordering one of the more intriguing variants: nimbu, gajar, mutter, papad, kela, karela, tamatar and mewa.

Our gastric juices start flowing again (never mind that we have just stuffed ourselves with puris). We seat ourselves and order three plates of parathas, which arrive a few minutes later. Each plate comprises two small parathas, accompanied by three curries and some pickled vegetables.  Everything on the plate is delicious. We polish the food off in no time, before ordering a few more plates. The parathas are crisp and stuffed well with the vegetables of your choice.

 

A plate of parathas sets you back by about Rs. 60 or 70, depending upon the variant you choose. The price is steep, but worth it, considering the wonderful taste and the fact that you get repeats of the accompanying curries and pickle. Parathewali gali is somewhat overrated, but still worth a visit once in many months.

Pandit Gaya Prasad Madan Mohan

Deciding that our tummies needed a respite after that overload of puris and parathas, we walk a few paces from Kanhaiyalal to Panditji’s hole-in-the-wall that serves luscious rabdi and lassi (to be explained). The lassi (thick, sweetened, churned curd) comes in a tall, stout steel tumbler, while the rabdi (thickened, sweet milk topped with a thick layer of cream) is served in a small bowl made (oddly) of aluminium foil. While lassi is available in most parts of India these days, you must have it in North India, especially in Punjab or Old Delhi, to savour it in its full, authentic glory. It is refrigerated and served chilled. The drops of moisture on the outside of the steel tumbler could well we a reflection of your thirst.

 

 

 

 

Our thirst slaked and the fire in our tummy doused for the moment, we took a stroll through the Chandni Chowk market with its small, old shops and pavement hawkers. Cycle rickshaws and autos deftly wove through the congested thoroughfare like only they can.

About an hour later, we were ready for our next gastronomical foray. And that’s how we landed up at Kanwarji’s Restaurant.

Kanwarji’s Restaurant

You can’t go to Old Delhi and return without having had the chholey bhaturey. Kanwarji’s Restaurant is a narrow outlet, with sweets arranged in shelves right at the entrance. You can take one of the few seats laid out inside or opt to stand on the pavement and enjoy your food. We choose to do the former.

Chholey bhaturey are as much a part of Delhi’s culture as the Red Fort and India Gate. If you ask me to single out one dish you should have on your next trip to Delhi, I would recommend this dish without batting an eyelid. Every area of Delhi has several joints serving this staple, and each has its own taste and flavor.

As if to demonstrate this point, the bhaturey at Kanwarji’s are oval (you get them round everywhere else). The dough of the bhaturey is infused with a mild mixture of asafetida and something else that I could not quite place. The chholey is a dark brown slurry, with chickpeas (channa) floating in it. Onion rings and pickled long green chillies (which are staple accompaniments to dishes in Delhi) complete the ensemble.

 

 

I am recalling all these details for you in retrospect now. At that time though, we just waded into the food. The next time we looked up was fifteen minutes later, after we had picked our plates clean. After that, all we could do for the next few minutes was sit back and sigh in deep contentment.

A plate of chholey bhaturey here comes for Rs. 60/-.

 Pandit Mittanlalji Lemonwaley (aka Mittanlalji Bantawaley)

Banta, as it is known to locals in Delhi, is lemon soda to which a pinch of black salt has been added for that tangy twist. It is much sought-after as a great refresher in the torrid climes of Delhi. A reasonably tall glass of cold banta comes for Rs. 15/-. Since the shop (like all other shops in Chandni Chowk) is actually a crevice on the old wall, there is no shade to stand under. Gulping down the cold drink standing in the glare of the hot sun is an interesting experience.

 

Natraj Dahi Bhalla Corner

And now, for some famous dahi bhalla. Located at the mouth of a lane that leads to Chandi Chowk metro station, Natraj has been dishing out dahi bhallas since 1940. A bhalla is a fried, sour ball of gram flour. After it is cut into small pieces, onto which fresh, thick curd is poured. This is then topped up with generous doses of green chutney (made from crushed mint leaves) and khatti-meethi chutney (sweet-sour chutney made from tamarind) and served to you. I shovel a piece of the bhalla into my mouths and feel a soft explosion of flavours hit my palate. By now, it is well past noon and the sun is high up. Thanks to our prolonged culinary assault since morning, our stomachs are bulging and our knees buckling. We are tottering on the pavement. Much as we’d love to have a second helping of the bhalley, we are forced to keep that for another day.

 

 

 

For now, we just want to head home and crash. But before that, one last stop.

Old Famour Jalebiwala

Several decades ago, Dariba Kalan was famous throughout Delhi for its goldsmiths and jewellery shops. Though many of them remain in business, many others have shut shop. At the entrance to this narrow lane is a shop whose business has nothing to do with gold or jewels. Welcome to Old Famous Jalebi (heck, I am not using these words as adjectives, but as a proper noun. This is the name of the shop, you see?) When your outlet is old and famous, why complicate matters by naming it anything other than ‘Old Famous?’ The shop has been around since 1884.

 

 

Thick juicy, golden-coloured rings of fried batter lie in trays, waiting to be bitten into. A pot-bellied cook is taking out fried maida rings from the cauldron and dunking them into a large vessel containing sugar syrup (known as ‘chashni’ in Hindi). A crowd of about fifteen is jostling for space where there isn’t any. Here, you have to pay first and then take your goodies. Not being in any shape to eat them there, we ask them to pack a kilo of jalebis for us.

 

We will enjoy them in the comfort of home, sprawled on comfortable beds. And then promptly go on the blink.

The vitals

  • Old Delhi is a city within a city, a world in itself. In its warren of narrow streets are several food joints like the ones I have described above. One trip is not enough to do full justice this area. You could therefore make a beginning by visiting the above-mentioned eateries and then come back another day to continue your culinary sojourn. After my next visit to Delhi, I will upload Part 2 of the Old Delhi Food Trail.
  • By and large, most eateries here are open from 8 am to past dusk. You can therefore visit any time in between. The trail I have described here took us about four hours to complete at a leisurely pace.
  • Just keep the heat of the city in mind when you plan this trip. The temperature stays above 40 degrees Celsius for most of the year and the humidity is high.
  • The best way to go to Chandni Chowk is by the metro. Taking along a private vehicle would be a bad idea, because you won’t get a place to park. This area is congested with a capital C.
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